Dec 30, Robin rated it it was amazing I never met Deryck Cooke, of course; he died when I was 4 years old. M was left unfinished at the premature death of the great Austrian composer ina mere eight years before Cooke was born.
M was left unfinished at the premature death of the great Austrian composer ina mere eight years before Cooke was born. Though the work existed in the form of a complete sketch, with thematic continuity throughout, a few pages of full orchestration and only a few gaps in harmony and counterpoint, it seemed likely the great work would never be heard by music lovers until Cooke came along and gave it a try.
And a really plausible try it was, though with the reservation that Mahler doubtless would have completed it rather differently. In fact, so profoundly did Magee, a close colleague and personal friend of Cooke, express his feelings of loss at the early death of that musician, critic, and BBC broadcaster, I was actually in tears before I reached the main body of this book.
Wagner, Mahler, Bruckner and to my surprise Delius. In these essays Cooke defended his views on the language of music a phrase that also serves as the title of his most important book - which is to say, the non-verbal vocabulary composers throughout the age of tonal music used, especially through melody, to express emotions, states of mind, and an impression of sensuous beauty.
Cooke scored his deepest hits, I thought, in his criticism on criticism itself.
He powerfully observed how little right a music critic has to judge the weaknesses of a work he himself could never have created. He dares music journalists to start over and address those works that are undeniably works of genius not as subjects of criticism, but as phenomena whose communicative power is real and can, perhaps, be explained.
He approaches music in a way that I have always, deep down, wanted to study it and write about it: However, as a child of the TV-blighted late 20th century and the even more Internet-blighted early 21st, I am painfully aware that I did not have the kind of musical formation Cooke had.Deryck Cooke's sadly early death, at the age of 57, deprived us of one of the century's major thinkers about music, who still had much to offer.
With a moving and informative Foreword by the writer and broadcaster, Brian Magee, Vindications stands alongside Cooke's The Language of Music as a major contribution to musical benjaminpohle.com: Deryck Cooke.
Vindications: essays on romantic music / by Deryck Cooke ; with a memoir of the author by Bryan Magee. Deryck Cooke () was a distinguished musicologist, and a composer and author, notably of the ground-breaking The Language of Music (OUP ).
After studying at Cambridge University, most of his career was spent as a senior producer for the BBC's music department. His lasting memorial is the. Note: Citations are based on reference standards. However, formatting rules can vary widely between applications and fields of interest or study.
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