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Musui's Story is the autobiographical account of samurai Katsu Kokichi, who lived in the early s during the height of the Tokugawa period in Japan. He took on the name Musui after he officially retired. Musui lived an adventurous life, full of swordfights, family squabbles, thievery, prostitution, and get-rich-quick schemes.
Musui hopes that his story might help others, especially his ancestors, avoid the mistakes he made. Musui is born to a concubine, given up to a wet nurse, and only at seven is he adopted into the Katsu family. He is a hellraiser in his youth, getting into fights and disobeying his father and his constantly scolding grandmother.
He learns horseriding and swordfighting at an early age, and has no interest in reading and writing. At fourteen, Musui runs away from home and spends several months begging at the side of roads and sleeping at various shrines or merely on the ground.
Malnourished, Musui nearly dies from sickness until rescued by a priest. Musui then hits his testicles on a sharp rock while sleeping on a mountainside, and his testicles swell up so that he can hardly walk. After working on a fishing boat for a time, Musui returns home and spends the next two years bedridden because of his untreated testicle infection.
After recovering, Musui spends a couple years mastering fencing and becoming a local leader of swordfighters, arranging duels and bullying rival fencing schools.
In order to keep up appearances, Musui becomes badly in debt, so much so that he decides to run away again to avoid financial problems. Masquerading as an important official, Musui spends time on the road until his family beseeches him to return home.
To teach him a lesson, Musui's father literally imprisons him in a cage in his home for a period of three years, from age twenty-one to twenty-four.
Musui's adult years consist of a series of financial up and downs and other adventures. He spends a lot of time in Yoshiwara, the pleasure district, where he smokes, sees shows, and pays prostitutes for sex.
He becomes a merchant of swords, earning profits only to spend every bit of it in short order. He also masquerades as a mystic, and gets rich only to quickly lose it on prostitution by peasants paying him to guess lottery numbers.
He steals from the rice coffers of his brothers, and negotiates various disputes, usually involving money, with his landlord or troublesome peasants. His bad reputation forces him into an early retirement at age thirty-seven. From then on, little changes for Musui as he continues to try to get rich and enjoy a lazy life and carnal pleasures.
He starts to loan money to gamblers at interest. He also begrudgingly steps in to save his landlord from financial ruin by tricking the landlord's peasants into giving more money by threatening to commit suicide—something he has no intention of going through with.
More recently, Musui has found it profitable to charge pleasure district merchants and brothels for "protection" much like the American Mafia of the mid-twentieth century.
Musui ends his story both acknowledging he lived a full and fun life, and regretting the harm he did to his family and his reputation, which undoubtedly led to poverty and a bad reputation. This section contains words approx.Scribd es red social de lectura y publicación más importante del mundo.
application, analysis, interpretation, or reporting of statistics or in the design or conduct of research. (See, for example, references 3 through ) Further, large Lang T, Altman D. Statistical Analyses and Methods in the Published Literature: the SAMPL Guidelines. May 10, · The plot of the story is complicated because the author had deviated from the normal flow of a story.
A person, upon reading this story, would immediately sense a strong air of melancholy that is somehow radiated in the story. News and analysis on Catalonia's struggle for self-determination from Green Left Weekly's European bureau.
Comprehension of these complex archetypal plots has implications for how youth perceive heroic characters, as adolescents with poor plot comprehension were more likely to identify with the villain than those who understood the story (Calvert et al., ).
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