Since she was limited by her illness to short and infrequent trips away from the farm, O'Connor learned to draw upon the resources at hand for the subject matter of her stories. These resources included the people around her, her reading material, which consisted of various books and periodicals which came to Andalusia, and an assortment of local and regional newspapers. Several critics have pointed out the influence of regional and local newspaper stories on O'Connor's fiction. The Misfit, the pathological killer who murders an entire family in this story, was apparently fabricated from newspaper accounts of two criminals who had terrorized the Atlanta area in the early s; Red Sammy Butts, according to another critic, may have been based on a local "good ole boy" who had made good and returned to Milledgeville each year, on the occasion of his birthday, to attend a banquet in his honor, hosted by the local merchants.
December I grew up believing that taste is just a matter of personal preference. Each person has things they like, but no one's preferences are any better than anyone else's. There is no such thing as good taste. Like a lot of things I grew up believing, this turns out to be false, and I'm going to try to explain why.
One problem with saying there's no such thing as good taste is that it also means there's no such thing as good art. If there were good art, then people who liked it would have better taste than people who didn't. So if you discard taste, you also have to discard the idea of art being good, and artists being good at making it.
It was pulling on that thread that unravelled my childhood faith in relativism. When you're trying to make things, taste becomes a practical matter.
You have to decide what to do next. Would it make the painting better if I changed that part? If there's no such thing as better, it doesn't matter what you do.
In fact, it doesn't matter if you paint at all.
You could just go out and buy a ready-made blank canvas. If there's no such thing as good, that would be just as great an achievement as the ceiling of the Sistine Chapel.
Less laborious, certainly, but if you can achieve the same level of performance with less effort, surely that's more impressive, not less. Yet that doesn't seem quite right, does it? Audience I think the key to this puzzle is to remember that art has an audience.
Art has a purpose, which is to interest its audience. Good art like good anything is art that achieves its purpose particularly well. The meaning of "interest" can vary. Some works of art are meant to shock, and others to please; some are meant to jump out at you, and others to sit quietly in the background.
But all art has to work on an audience, and—here's the critical point—members of the audience share things in common. For example, nearly all humans find human faces engaging.
It seems to be wired into us. Babies can recognize faces practically from birth. In fact, faces seem to have co-evolved with our interest in them; the face is the body's billboard.
So all other things being equal, a painting with faces in it will interest people more than one without. There are billions of people, each with their own opinion; on what grounds can you prefer one to another?
All humans find faces engaging—practically by definition: And so having a notion of good art, in the sense of art that does its job well, doesn't require you to pick out a few individuals and label their opinions as correct.
No matter who you pick, they'll find faces engaging.
Of course, space aliens probably wouldn't find human faces engaging. But there might be other things they shared in common with us. The most likely source of examples is math.The Socratic Method Research Portal is the product of over 30 years of research and experimentation with the Socratic method.
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Symbolism, Imagery, Allegory "Toomsboro" is mentioned (45) as the town the family passes right when the grandmother wakes up to remember the old plantation that isn't really there. In other words, "Toomsboro" is mentioned righ.
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"A Good Man Is Hard to Find" O'Connor, Flannery (Full name Mary Flannery O'Connor) American short story writer, novelist, and essayist. The following entry presents . The mood of this ’s’s Georgia highway picture is a sense of foreboding that reflects the spirit of the Flannery O’Connor story "A Good Man is Hard to Find." Credit: Image courtesy of American Memory at the Library of Congress. The novelist with Christian concerns will find in modern. May 28, · Critical analysis on "A good man is hard to find" Essay. Essay about Good Man Hard to Find. A Good Man is Hard to Find Virtue and “the grandmother” If you were to ask someone what their definition of a happy life would be, they would probably give you an answer like, “having fun.”.